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First Impressions: The Letter of Introduction

  
  
  
  
  

by Maya Payne Smart

Although a carefully crafted query letter is often touted as the key weapon in any freelance writer's arsenal, I've found that another document — a letter of introduction — can be a more effective means of catching an editor's attention. Unlike a query letter, which pitches a specific story or idea, a letter of introduction puts you and your skills front and center. It tells a prospective editor why you should move to the top of their go-to list of contributors by quickly demonstrating how you can meet their specific needs.

Build a Template

Don't waste time by starting completely from scratch every time you approach a new editor. Your letter of introduction should be based on a template that you can keep on file for use whenever you need it. Rewriting information that could easily be stored in a master document isn't an efficient use of your time.

Instead, create a standard paragraph that tells people who you are and what you're about. Think of this as the boilerplate that you'd use when writing an article about a beat you've been covering for months, except this time the subject you're writing about is you. As an example, you might keep on file something like, "My investigative journalism experience and social media immersion help me deliver deeply-researched articles on unconventional topics. Editors say I consistently produce clever, insightful stories on deadline."

Don't get long-winded about your passions for reporting or the topic. And don't come across as being desperate for the job (even if you are). Remember: Editors want to know how you can help them, not the other way around.

Stand Out in the Crowd

Even if you have a fixed paragraph or two within your letter of introduction, you also need to personalize at least the beginning and end of every letter to forge a connection with each editor — and potential employer. Express enthusiasm for the project at hand or the opportunity to work with them. Explain what it is in your writing history that makes you the ideal fit for a particular publication or assignment.

While there's no need for you to kiss up, it is crucial that you include some language that illustrates how you're familiar with the publication and why you'd be excited to take on that challenge. A helpful exercise is to put yourself in the editor's shoes. Think about the plethora of letters the editor must receive that merely attach irrelevant clips, boast academic credentials, or name drop without providing anything to back it up. What if you were the editor that had to weed through all of those messages? What would intrigue you? What would be off-putting? Doing this boosts the odds that your e-mail gets a reply, not sent to the trash.

For more on how your letter of introduction can be a make-it or break-it opportunity, check out Writing Coach's How NOT to Win Freelance Assignments.

Comments

This is a really new idea for me! I've never written an LOI unless I'm interested in setting up an informational interview or intend to apply for a job. Three quick questions: 
 
1) Would you use the LOI in lieu of a pitch letter, at least initially? 
2) What is the ideal aim of the LOI? To get assigned stories later on, and have the editor receptive to pitches? 
3) What if the link to my website leads to my bio - which repeats the same information as I would include in the LOI? Isn't that repetitive? 
 
Thanks so much.
Posted @ Monday, March 22, 2010 11:11 AM by Manuela
@Manuela: Great questions!  
 
1)I use letters of introduction when I hear of a specific editor's needs. For example, if you subscribe to a newsletter that sends out leads each week and an editor has been very specific and says, “I’m looking for a writer who can write about workplace trends in Minnesota among 18- to 34-year-olds,” you don’t need to pitch a story idea. (They already have one.) You just need to send information that lets the editor know that you – and not the 75 other people who responded – are the right person to tackle that assignment. 
 
I also follow up with an LOI when I meet editors at conferences. I might follow-up later with some specific story idea pitches, but first I'll send a version of my LOI to remind them of our conversation and my availability to contribute to their publications. If you wait to contact them until you have a full-fledged story idea to pitch, you may miss a more immediate opportunity to win work. 
 
2) In short, my goal with an LOI is to get assigned a story idea that they've generated in-house. This works best with warm leads like those described above and with niche publications where it's hard to predict what they want.  
 
3) I wouldn't send a general link to your Web site. I would include a few links to specific stories in your portfolio that show you're a good fit for the kind of work they publish. Also, the letter of introduction shouldn't repeat everything in your bio, just the highlights that are most relevant for that client. 
Posted @ Monday, March 22, 2010 1:24 PM by Maya Smart
I like letters of RE-introduction--if I've worked with an editor in the past, but it's been a while, I will drop a note, saying hi, here's what I've been up to, loved the last issue, etc...and let the ed. know I'd love to hear from him/her about assignments if they have some stories in search of a writer. 
 
I did a lot of this last October when a move took me away from some clients that were geographically dependent on me living in the community...and boy, did it ever yield some great results.. 
 
Love your tips, Maya (we met at FLX Tampa).. 
 
barb
Posted @ Wednesday, March 24, 2010 8:28 AM by Babette
Thanks, Barb. I enjoyed meeting you in Tampa and am glad you like the site. You're right--staying in touch with existing contacts is crucial. Repeat business is the best kind of business because you already know how they work, when they pay and that you're a good fit.
Posted @ Wednesday, March 24, 2010 12:05 PM by Maya Smart
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